ﺳﻨﮓ ﻧﮕﺎﺭﻩ ﺩﺭﻩ ﺩﺍﺭ ﺳﺎﻭﺍﺕ
ﯾﮑﯽﺩﯾﮕﺮﺍﺯﺩﺭﻩﻫﺎﯼﮐﻮﻫﻬﺎﯼ ﺳﯿﺎﻫﺎﻥﮐﻪﺩﺭﺣﺪﻭﺩ۱۸ﮐﯿﻠﻮﻣﺘﺮﯼ
ﺷﻤﺎﻝﻏﺮﺑﯽﺷﻬﺮﺳﺮﺍﻭﺍﻥﻭﺍﻗﻊﺷﺪﻩ ﺩﺭﻩ ﺩﺍﺭ
ﺳﺎﻭﺍﺕ ﻣﯽ ﺑﺎﺷﺪ ﺩﺍﺭ ﺳﺎﻭﺍﺕ ﺑﻪ
ﻣﻌﻨﺎﯼﺳﺎﯾﻪﺑﺎﻥﯾﺎﻣﺤﻞﺳﺎﯾﻪﺩﺍﺭ ﺍﺳﺖﻭﺑﻪﺩﺭﻩﺍﯼﮔﻔﺘﻪﻣﯽﺷﻮﺩﮐﻪ
ﺩﺍﺭﺍﯼﮔﺬﺭﮔﺎﻫﯽﺍﺳﺖﺧﯿﻠﯽﺗﻨﮓﮐﻪ ﺁﻓﺘﺎﺑﮕﯿﺮ ﻧﺒﺎﺷﺪ.
ﺩﺭﯾﮑﯽﺍﺯﺩﺭﻩﻫﺎﯼﮐﻮﻫﻬﺎﯼﺷﻤﺎﻟﯽ
ﺳﺮﺍﻭﺍﻥﺑﻨﺎﻡﮐﯿﺸﯿﮕﺎﻥ)ﺍﺯﮐﻮﻫﻬﺎﯼ
ﺳﯿﺎﻫﺎﻥ(ﭘﺲ ﺍﺯﻃﯽ ﺣﺪﻭﺩ۲ﮐﻠﻮﻣﺘﺮ ﺩﺭﺩﺍﺧﻞ ﺩﺭﻩ ﺭﺍﻩﺑﻪ ﺩﻭﺭ ﺷﺎﺧﻪ
ﺗﻘﺴﯿﻢ
ﺷﺪﻩﮐﻪﯾﮏ ﺭﺍﻩﺁﻥ)ﺳﻤﺖﺭﺍﺱ(ﺑﻪ
ﻣﺤﻠﯽﺑﻨﺎﻡﺩﺍﺭﺳﺎﻭﺍﺕﻭﺭﺍﻩﺩﯾﮕﺮ ﺳﻤﺖﭼﭗﺑﻪﻣﺤﻠﯽﺑﻨﺎﻡﮐﯿﺸﯿﮕﺎﻥ
ﻣﻨﺘﻬﯽ ﻣﯽ
ﮔﺮﺩﺩ. ﺩﺭﺍﺑﺘﺪﺍﯼﻫﻤﯿﻦﺩﻭﺭﺍﻫﯽﺑﻄﺮﻑﺩﺍﺭ ﺳﺎﻭﺍﺕﺩﺭﺳﻤﺖﺭﺍﺳﺖﺩﺭﻩﻧﻘﻮﺷﯽ
ﺍﻧﺴﺎﻧﯽﻭﺣﯿﻮﺍﻧﯽﺩﯾﺪﻩﻣﯽﺷﻮﺩﮐﻪ ﺷﺎﯾﺪﺑﺘﻮﺍﻥﻧﻘﻮﺵﺍﯾﻦﺩﺭﻩﺭﺍﻧﻘﻮﺵ
ﭼﻮﭘﺎﻧﯽﻗﻠﻤﺪﺍﺩ ﻧﻤﻮﺩﺩﺭ ﺍﯾﻦﺻﺤﻨﻪ
ﮐﻪ ﺑﺮﺭﻭﯼ ﺳﻄﺢ ﻧﺴﺒﺘﺎﻫﻤﻮﺍﺭ ﺻﺨﺮﻩ ﺩﺭ
ﭘﺎﯼﮐﻮﻩﻭﻧﺰﺩﯾﮏﮐﻒﺩﺭﻩﻧﻘﺶ ﻫﺸﺖﺍﻧﺴﺎﻥ،ﺳﻪﺷﺘﺮ،ﺳﻪﺑﺰ
ﮐﻮﻫﯽﻭﯾﮏﺣﯿﻮﺍﻥ)ﺍﺣﺘﻤﺎﻻﺳﮓ( ﻭﭼﻨﺪﻧﻘﺶ ﻧﺎﻣﺸﺨﺺ ﺩﯾﮕﺮﺩﯾﺪﻩ ﻣﯽ
ﺷﻮﺩﺑﻌﻀﯽﺍﺯﺍﯾﻦﻧﻘﻮﺵﻫﻤﺎﻧﻨﺪ
ﻧﻘﺶﺍﻧﺴﺎﻧﯽﮐﻪﻫﺮﺩﻭﺩﺳﺖﺧﻮﺩ ﺭﺍ ﺑﻠﻨﺪﮐﺮﺩﻩﻭﺑﺎﻻﯼﺳﺮﺑﺮﺩﻩﺩﺭﺑﺎﻻﯼ
ﺻﺤﻨﻪﻧﻘﺶﺷﺪﻩﮐﻪﺍﺯﻧﻘﻮﺵﺑﺴﯿﺎﺭ ﺟﺪﯾﺪﻣﺤﺴﻮﺏﻣﯽﮔﺮﺩﺩ.ﺩﺭﺯﯾﺮﭘﺎﯼ
ﺍﯾﻦﻧﻘﺶﯾﮏﺷﺘﺮﻭﺳﻮﺍﺭﯼﺑﺮﭘﺸﺖ
ﺍﻥﺩﯾﺪﻩﻣﯽﺷﻮﺩﻣﯽﺗﻮﺍﻥﮔﻔﺖﮐﻪ ﺑﻪﻧﻮﻋﯽ
ﺣﮑﺎﮎ ﺍﻥﻋﺺ ﺳﻌﯽ ﻧﻤﻮﺩﻩ ﺍﺳﺖﺏﮐﻮﭼﮏﯾﺎﺑﺰﺭﮒﺗﺼﻮﯾﺮﮐﺮﺩﻥ
ﺍﻧﺴﺎﻧﻬﺎﻭﺣﯿﻮﺍﻧﺎﺕﺩﻭﺭﯼﻭﻧﺰﺩﯾﮑﯽﺁﻧﻬﺎ ﺭﺍﻣﺠﺴﻢﺳﺎﺯﺩﻭﺑﻪﻧﻮﻋﯽﭘﺮﺳﭙﮑﺘﯿﻮ ﺑﮑﺎﺭﺑﺮﺩﻩ
ﺍﺳﺖ ﺍﯾﻦﮔﻮﻧﻪ
ﻧﻘﻮﺵ ﺭﺍ ﮐﻪ ﭼﻨﺪﺍﻥﺍﺻﯿﻞﻭﮐﻬﻦﺑﻨﻈﺮﻧﻤﯽﺭﺳﻨﺪ
ﻏﺎﻟﺒﺎﺷﺒﺎﻧﺎﻥﻭﭼﻮﭘﺎﻧﺎﻥﺗﺮﺳﯿﻢﻧﻤﻮﺩﻩ
ﺍﻧﺪﻏﺎﻟﺒﺎﺕﻧﻘﻮﺵﻧﺸﺎﻥﺩﻫﻨﺪﻩﺻﺤﻨﻪ
ﻫﺎﯾﯽﺍﺯﺯﻧﺪﮔﯽﺭﻭﺯﻣﺮﻩﺁﻧﺎﻥﺍﺳﺖ ﻭﺩﯾﮕﺮﺍﺟﺮﺍﯼﺟﺪﯾﺪﺍﯾﻨﮕﻮﻧﻪﻧﻘﻮﺵ
ﻣﯽﺑﺎﺷﻨﺪﮐﻪﺍﯾﻦﻗﺒﯿﻞﻧﻘﻮﺵﻋﻼﻭﻩ ﺑﺮﻣﻮﺿﻮﻉ ﻭﻣﺤﺘﻮﺍﺍﺯ ﻧﻈﺮﺍﺟﺮﺍﯾﯽ ﻧﯿﺰ
ﻧﻮﻭﺗﺎﺯﻩﺍﺟﺮﺍﺷﺪﻩﺑﻨﻈﺮﻣﯽﺁﯾﺪﺩﺭ ﺑﺨﺸﯽﺍﺯﻧﻘﻮﺵﮐﻪﻗﺴﻤﺘﯽﺍﺯ
ﺟﺰﺋﯿﺎﺕﻣﺤﺴﻮﺏﻣﯽﺷﻮﺩﺍﺣﺘﻤﺎﻻ ﺷﺒﺎﻧﯽ ﺑﺎ
ﭼﻮﺏ ﺩﺳﺘﯽ ﺩﺭ ﮐﻨﺎﺭ ﮔﻠﻪ ﺩﯾﺪﻩ
ﻣﯽﺷﻮﺩﻭﻧﯿﺰﺍﻧﺴﺎﻧﯽﮐﻪﺩﺳﺘﻬﺎﯼ ﺧﻮﺩﺭﺍ ﺑﺮ ﭘﺸﺖ ﺑﺰﯼ ﮔﺬﺍﺷﺘﻪ ﻭﺁﻥ ﺭﺍ
ﺑﻪ ﺳﻤﺖ
ﺟﻠﻮ ﻫﺪﺍﯾﺖ ﻣﯽ
ﮐﻨﺪ ﻭﺩﺭ ﺍﻓﻖ ﺩﺭ ﭘﺸﺖﺳﺮ ﻭﯼﻧﯿﺰ ﺩﻭﻧﻔﺮ ﺩﯾﮕﺮﺑﻪ ﺍﻧﺪﺍﺯ
ﺍﯼﮐﻮﭼﮑﺘﺮﺩﺭﻓﺎﺻﻠﻪﺩﻭﺭﺗﺮﺩﯾﺪﻩ ﻣﯽ ﺷﻮﻧﺪ. ﺩﺭ ﻣﺮﮐﺰ ﻧﻘﺶ ﺣﯿﻮﺍﻧﯽ ﮐﻪ ﺍﺣﺘﻤﺎﻻ ﺑﺎ
ﺗﻮﺟﻪ ﺑﻪ ﮔﻮﺷﻬﺎ
ﻭﺩﻡ ﮐﻮﺗﺎﻩ ﺍﻥ ﻣﯽ ﺑﺎﯾﺴﺖ ﺍﺯ ﺩﺭﻧﺪﮔﺎﻥ ﮔﻮﺷﺘﺨﻮﺍﺭ ﺑﺎﺷﺪ ﻭﺩﺭ
ﺳﻤﺖ ﺭﺍﺳﺖ ﻧﻘﺶ ﯾﮏ ﺑﺰ ﻭﯾﮏ ﻧﻔﺮ ﺩﺭ
ﭘﺸﺖ ﺳﺮ ﺁﻥ ﺩﯾﺪﻩ ﻣﯽ ﺷﻮﺩ ﺩﻭ ﺷﺘﺮ ﺩﯾﮕﺮ
ﺑﺼﻮﺭﺕ ﻣﻨﻔﺮﺩ ﮐﻪ ﺩﺭ ﮔﻮﺷﻪ ﻫﺎﯼ ﺻﺤﻨﻪ ﻭﺟﻮﺩ ﺩﺍﺭﻧﺪ
ﭘﻨﺠﻪ ﺩﺳﺖ ﺍﻧﺴﺎﻧﯽ ﻧﯿﺰ ﺍﺯ
ﻧﻘﻮﺵ ﺟﺪﯾﺪ ﺍﺿﺎﻓﻪ ﺷﺪﻩ ﺑﻪ ﺻﺤﻨﻪ ﺍﺻﻠﯽ ﻣﺤﺴﻮﺏ ﻣﯽ
ﮔﺮﺩﺩ.
ﺑﻌﺪﺍﺯﺩﻭﺭﺍﻫﯽﻭﻃﯽﻣﺴﺎﻓﺘﯽﺩﺭ ﺣﺪﻭﺩ۰ﺩﻗﯿﻘﻪﺑﺘﺪﺭﯾﺞﺗﻨﮕﻪﻭﮔﺬﺭﮔﺎﻩ
ﺑﻘﺪﺭﯼﺗﻨﮓﻣﯽﺷﻮﺩﮐﻪﺗﻨﻬﺎﯾﮏﻧﻔﺮ ﻣﯽﺗﻮﺍﻧﺪﺍﺯﺍﻥﻋﺒﻮﺭﮐﻨﺪﻫﻤﭽﻨﯿﻦ
ﺍﺭﺗﻔﺎﻉﺻﺨﺮﻩﻫﺎﯼﺩﻭﻃﺮﻑﺍﻥﻧﯿﺰ
ﺑﯿﺸﺘﺮﻣﯽﺷﻮﺩﭘﺲﺍﺯﻋﺒﻮﺭﺍﺯﺍﯾﻦ ﺗﻨﮕﻪﺩﺭ ﺳﻤﺖ
ﭼﭗﺩﺭﻩ ﺑﺮ ﺭﻭﯼ ﺳﻄﺢ ﺩﯾﻮﺍﺭﻩﺻﺨﺮﻩﺍﯼﺑﺰﺭﮒﻧﻤﺎﯾﺎﻥﻣﯽ
ﺷﻮﺩﮐﻪﻧﻘﻮﺵﭘﻨﭽﻪﻫﺎﯼﺩﺳﺖ ﺍﻧﺴﺎﻥ)ﺣﺪﺍﻗﻞ۱۰ﻧﻘﺶ(ﮐﻪﺑﺎ
ﺿﺮﺑﺎﺕﭼﮑﺸﯽﺳﻨﮕﯽﺑﺮﺭﻭﯼ ﺳﻄﺢ
ﺻﺨﺮﻩﺍﯾﺠﺎﺩﺷﺪﻩﺑﻮﺩﻧﺪﺩﯾﺪﻩﻣﯽ ﺷﻮﺩﺩﺭ ﺍﯾﻦ
ﺩﺭﻩﺗﺎﺭﯾﮏ ﻭﺑﺪﻭﻥ ﺁﻓﺘﺎﺏ
ﺑﺎ
ﺩﯾﻮﺍﺭﻫﺎﯼﺑﻠﻨﺪﻭﻫﻢﺍﻧﮕﯿﺰﺩﯾﺪﻥﺍﯾﻦ ﻧﻘﻮﺵﺩﺳﺖﻫﯿﭻﭼﯿﺰﺩﯾﮕﺮﺑﺠﺰ
ﻋﻼﻣﺖﺣﻀﻮﺭﺑﺸﺮﺭﺍﯾﺎﺩﺁﻭﺭﻧﻤﯽ
ﺷﻮﺩﺍﯾﻨﮕﻮﻧﻪﻧﻘﻮﺵﺑﻪﻫﻤﯿﻦﻣﻀﻮﻡ
ﺑﺮﺍﯼﺍﻭﻟﯿﻦﺑﺎﺭﺗﻮﺳﻂﺷﮑﺎﺭﮔﺮﺍﻥ ﻭﻧﮕﺎﺭﮔﺮﺍﻥﻋﺼﺮﭘﯿﺶﺍﺯﺗﺎﺭﯾﺦﺍﺯ
ﺣﺪﻭﺩ۲۰ﻫﺰﺍﺭﺳﺎﻝﭘﯿﺶﺑﺮﺩﯾﻮﺍﺭﻩ ﻏﺎﺭﻫﺎﻭﭘﻨﺎﻫﮕﺎﻫﻬﺎﯼﺳﻨﮕﯽﻭﺻﺨﺮﻩ
ﻫﺎﻧﻘﺶﺷﺪﻩﺍﺳﺖﻭﺑﻪﻧﻮﻋﯽﺗﺎﺣﺎﻝ
ﺣﺎﺿﺮﺗﺪﺍﻭﻡ ﺍﯾﻦ ﺳﻨﺖﺭﺍ ﻣﯽ ﺗﻮﺍﻧﯿﻢ ﺑﻪ
ﺍﺷﮑﺎﻝﮔﻮﻧﺎﮔﻮﻥﺩﺭﻧﻘﺎﻁﻣﺨﺘﻠﻒ ﻧﻈﺎﺭﻩ ﮔﺮ ﺑﺎﺷﯿﻢ. ﺩﺭ ﭘﯿﭻ
ﻭﺧﻢ ﺩﺭﻩ ﺩﺍﺭ ﺳﺎﻭﺍﺕ ﺩﺭ
ﺣﺪﻭﺩ ۷۰ﻣﺘﺮﯼ ﻧﻘﻮﺵ
ﺍﻭﻟﯽ ﭘﻨﺠﻪ ﻫﺎﯼ ﺩﺳﺖ ﺍﻧﺴﺎﻥ ﻧﻘﺶ ﺩﻭ ﺍﻧﺴﺎﻥ ﮐﻪ
ﮐﺎﻣﻼ ﺟﺪﯾﺪ ﺑﻮﺩ ﻧﻘﺶ ﺷﺪﻩ
ﺑﻮﺩﻧﺪ ﮐﻪ ﺍﯾﻦ ﻧﻘﻮﺵ ﻧﯿﺰ ﺗﻘﻠﯿﺪﯼ ﺑﺴﯿﺎﺭ ﺟﺪﯾﺪ ﺍﺯ ﻧﻘﻮﺵ ﺍﻭﻟﯿﻪ ﻣﯽ
ﺑﺎﺷﺪ ﻭﺷﺨﺼﯽ
ﺩﺭ ﺣﺎﻝ ﺗﯿﺮﺍﻧﺪﺍﺯﯼ ﺑﺎ ﮐﻤﺎﻥ ﻭﻧﻘﺶ ﺑﻌﺪﯼ ﻧﺸﺎﻥ ﺩﻫﻨﺪﻩ ﺍﻧﺴﺎﻧﯽ ﺍﺳﺖ ﮐﻪ ﭼﯿﺰﯼ
)ﺷﺒﯿﻪ ﺑﻪ ﻣﺸﮏ ﺁﺏ ﻭ(...ﺭﺍ ﺑﺮ ﺭﻭﯼ ﺷﺎﻧﻪ ﮔﺬﺍﺷﺘﻪ ﻭﺩﺳﺖ ﺩﯾﮕﺮ ﺭﺍ ﺑﻪ ﮐﻤﺮ ﺯﺩﻩ
ﺍﺳﺖ ﯾﮑﯽ ﺍﺯ
ﻧﻘﻮﺵ ﻣﺒﻬﻢ ﺑﻮﺩ ﻫﺮ ﭼﻨﺪ ﮐﻪ ﻣﯽ ﺑﺎﯾﺴﺖ ﺍﯾﻦ ﻧﻘﺶ ﻫﻤﺰﻣﺎﻥ ﺑﺎ
ﻧﻘﻮﺵ ﭘﻨﺠﻪ ﻫﺎﯼ ﺩﺳﺖ ﺍﯾﺠﺎﺩ ﺷﺪﻩ
ﺑﺎﺷﺪ ﺍﺯ ﺟﻤﻠﻪ ﻧﻘﻮﺵ ﺩﯾﮕﺮﯼ ﮐﻪ ﺩﺭ
ﺍﺩﺍﻣﻪ ﻣﺴﯿﺮ ﺩﺭ ﺩﺭﻩ ﻣﺬﮐﻮﺭ ﻣﺸﺎﻫﺪﻩ ﻣﯽ ﺷﻮﺩ ﻧﻘﺶ ﻧﯽ
ﻧﻮﺍﺯ ﻣﯽ ﺑﺎﺷﺪ.
ﺩﺭﺍﺩﺍﻣﻪﻣﺴﯿﺮﺩﺭﺩﺍﺧﻞﺩﺭﻩﺑﻌﺪﺍﺯ ﻧﻘﺶﻧﯽﺯﻥﺑﻪﺁﺑﺸﺎﺭﮐﻮﭼﮑﯽﻣﯽ
ﺭﺳﯿﻢﺁﺏﺟﺎﺭﯼﺩﺭﺍﯾﻦﺩﺭﻩﺍﺯﺍﺭﺗﻔﺎﻉ ﺣﺪﻭﺩ۲ﻣﺘﺮﯼﺑﻪﺩﺍﺧﻞﺣﻮﺿﭽﻪ
ﻃﺒﯿﻌﯽﮐﻮﭼﮑﯽﻣﯽﺭﯾﺰﺩﻭﺩﺭﮐﻨﺎﺭ
ﺍﯾﻦﺁﺑﺸﺎﺭﻧﻘﺶﺩﻭﺍﻧﺴﺎﻥﺩﯾﺪﻩﻣﯽ
ﺷﻮﺩﮐﻪﺍﯾﻦﺩﻭﻧﻔﺮﺩﺭﺣﺎﻟﯽﮐﻪﺑﺎ ﻓﺎﺻﻠﻪﺍﺯﯾﮑﺪﯾﮕﺮﺍﯾﺴﺘﺎﺩﻩﺍﻧﺪﭘﺸﺖﺑﻪ
ﻫﻢﮐﺮﺩﻩﻭﻫﺮﮐﺪﺍﻡﻧﯿﺰﯾﮏﺩﺳﺖﺭﺍ ﺑﻪﭘﻬﻠﻮﮔﺮﻓﺘﻪﻭﺩﺳﺖﺩﯾﮕﺮﺭﺍﻃﺮﻑ
ﺟﻠﻮﻧﮕﻪﺩﺍﺷﺘﻪﺍﻧﺪﮐﻪﯾﮑﯽﺍﺯﺍﯾﻦﺩﻭ
ﻧﻔﺮﺑﺮﻫﻨﻪ ﺗﺮﺳﯿﻢ ﺷﺪﻩﺍﺳﺖ.ﻫﺮ ﭼﻨﺪ ﮐﻪﻣﻔﻬﻮﻡﺍﯾﻦﻧﻘﺶﮐﺎﻣﻼﻣﺸﺨﺺ
ﻧﻤﯽﺑﺎﺷﺪﻭﻟﯽﺍﯾﻦﻧﻘﻮﺵﺍﺯﺟﻤﻠﻪ ﻧﻘﻮﺵﺑﺴﯿﺎﺭﺟﺪﯾﺪﻣﺤﺴﻮﺏﻣﯽﺷﻮﺩ ﺩﺭ ﺍﺩﺍﻣﻪ
ﻣﺴﯿﺮ ﺩﺭ ﺳﺮ ﭘﯿﭻ ﺩﺭﻩ ﺑﺮ
ﺭﻭﯼ ﺳﻨﮕﯽﺩﺭﺍﺭﺗﻔﺎﻉ ﺣﺪﻭﺩ۲ﻣﺘﺮﯼ ﻧﻘﺶ
ﯾﮏﺍﻧﺴﺎﻥﺑﺮﻫﻨﻪﺑﺎﺳﺮﯼﻋﺠﯿﺐ ﻭﻣﺜﻠﺜﯽ ﺷﮑﻞ ﺩﯾﺪﻩ ﻣﯽ ﺷﻮﺩ ﮐﻪ
ﺩﺳﺘﻬﺎ
ﺭﺍﮐﺎﻣﻼﺩﺭﺍﻣﺘﺪﺍﺩﺷﺎﻧﻪﻫﺎﺑﺎﺯﮐﺮﺩﻩ ﺍﺳﺖﺩﺭﻓﺎﺻﻠﻪﮐﻤﯽﺍﺯﺍﯾﻦﺗﺼﻮﯾﺮ،
ﻧﻘﺶﺩﯾﮕﺮﯼﺗﻮﺟﻪﺭﻩﺑﻪﺧﻮﺩﺟﻠﺐ ﻣﯽﮐﻨﺪ ﻭﺁﻥ ﻧﻘﺶ ﯾﮏﺷﺘﺮ ﻧﺮ)ﻟﻮﮎ(
ﻣﯽﺑﺎﺷﺪﮐﻪﻗﺴﻤﺖﭘﺎﺋﯿﻦﮔﺮﺩﻥ
ﻭﮔﻠﻮﯼﺧﻮﺩﺭﺍﮐﺎﻣﻼﺑﺎﺯﮐﺮﺩﻩ ﻭﮐﻮﻫﺎﻧﯽﻧﯿﺰﺩﺭﭘﺸﺖﺩﺍﺭﺩﺍﯾﻦﻧﻘﺶ )ﺷﺘﺮ
ﻧﺮﻟﻮﮎ(ﻭﻧﻘﺶ ﺍﻧﺴﺎﻥ ﺑﺮﻫﻨﻪ ﺑﺎﺳﺮﻣﺜﻠﺜﯽﺷﮑﻞﺭﺍﯾﮏﻧﻔﺮﻭﺩﺭﯾﮏ
ﺯﻣﺎﻥﺍﯾﺠﺎﺩﻧﻤﻮﺩﻩﻭﺍﺯﻧﻘﻮﺵﻣﺘﺎﺧﺮ
ﻣﺤﺴﻮﺏ ﻣﯽ ﮔﺮﺩﺩ. ﺩﺭ ﺍﺩﺍﻣﻪ ﻫﻤﯿﻦ ﻣﺴﯿﺮ ﺑﻪ
ﻧﻮﻋﯽ ﺑﺎ ﺗﺪﺍﻭﻡ ﺳﻨﺖ ﺷﮑﺎﺭ ﻣﻮﺍﺟﻪ ﺷﺪﯾﻢ ﻭﺁﻥ
ﮔﻮﺩﺍﻟﯽ ﮐﻮﭼﮏ ﺑﻮﺩ ﮐﻪ ﺻﯿﺎﺩﯼ ﺩﺭ
ﮐﻒ ﺧﺸﮏ ﺩﺭﻩ ﺑﺎ ﺩﺳﺖ ﮐﻨﺪﻩ ﺑﻮﺩ ﮐﻪ ﺩﺭ ﺍﯾﻦ ﮔﻮﺩﺍﻝ ﮐﻮﭼﮏ
ﺑﺘﺪﺭﯾﺞ ﺁﻥ ﺟﻤﻊ ﺷﺪﻩ
ﺑﻮﺩﻩ ﻭﭘﺮﻧﺪﮔﺎﻥ ﺗﺸﻨﻪ ﻫﻤﺎﻧﻨﺪ ﺣﯿﻮﺍﻧﺎﺕ ﻭﺣﺸﯽ ﺩﺭ ﻋﺼﺮ ﭘﯿﺶ ﺍﺯ ﺗﺎﺭﯾﺦ ﺩﺭ
ﺍﯾﻦ
ﻣﺤﻞ ﺟﻤﻊ ﻣﯽ ﺷﺪﻧﺪ ﮐﻪ ﺩﺭ ﺍﯾﻦ ﺣﺴﯿﻦ ﻧﯿﺰ ﺻﯿﺎﺩﯼ ﮐﻪ ﺧﻮﺩ ﺭﺍ ﺩﺭ ﺯﯾﺮ ﭘﻨﺎﻫﮕﺎﻫﯽ
ﮐﻪ ﺍﺯ
ﺷﺎﺥ ﻭﺑﺮﮒ ﺩﺭﺧﺘﺎﻥ ﻣﺨﻔﯽ ﮐﺮﺩﻩ ﺑﻮﺩ ﺩﺍﻡ ﮔﺴﺘﺮﺍﻧﯿﺪﻩ ﻭﺁﻣﺎﺩﻩ ﺻﯿﺪ ﺁﻧﺎﻥ ﺑﻮﺩ
ﮐﻪ ﻫﻨﻮﺯ ﻧﯿﺰ
ﺗﺪﺍﻭﻡ ﺍﯾﻦ ﺳﻨﺖ ﺷﮑﺎﺭ ﻭﺷﮑﺎﺭﭼﯽ ﺩﺭ ﮐﻨﺎﺭ ﺁﺑﺸﺨﻮﺭ ﻭﭼﺮﺍﮔﺎﻩ ﻃﺒﯿﻌﯽ
ﺩﺭ ﯾﮏ ﻣﻘﯿﺎﺱ ﮐﻮﭼﮑﺘﺮ ﺩﺭ
ﺍﯾﻦ ﺻﺤﻨﻪ ﻗﺎﺑﻞ ﻣﺸﺎﻫﺪﻩ ﺑﻮﺩ

جمعه 13 خرداد 1390 - 8:19:47 PM